Sunday, 18 December 2011

Upcoming Edge Exhibition at Kelmarsh Hall - 10th February

The next Edge Arts Collective show will take place at the beautiful venue of Kelmarsh Hall, Northamptonshire.

The Hall was built in the 1730's and is surrounded by an working estate of grazed parklands and exquisite gardens.



The Edge exhibition will be housed in the Hall's beautiful Ballroom, which is resplendent with chandeliers and views of breathtaking Northamptonshire countryside.

The show coincides with the long running and very popular Snowdrops weekends which occurs annually in Kelmarsh Halls gardens during the second and third weekends in February. To celebrate this we have changed our logo colour to a Spring green!

The Edge exhibition opens on Friday 10th February from 6-9pm for a private viewing. The show will feature a range of contemporary artwork from sculpture to painting and photography. Many of the original pieces will be on sale and some prints will also be available to purchase.

For more information about Kelmarsh Hall, opening times and directions please visit www.kelmarsh.com

Dates and times of the exhibition - Sat 11/Sun 12th and Sat 18th/Sun 19th February. 10-3pm. Entry is free*

*Please note that there is an entry fee of £3 to view the Snowdrops


Wednesday, 14 December 2011

The Magical Dark World of Graham Sutherland

This magical collection of works by Graham Sutherland takes the viewer on a journey through the dark side of human life in WWII into the enchanting Pembrokeshire landscapes of the 1930’s – 1970’s where lines on paper inhabit another world.
Sutherland strange imaginary foregrounds and shape changing landscapes conjure up a surreal environment for the audience.

Graham Sutherland ‘An Unfinished World’, curated by George Shaw, is on now – 18 March 2012 – Free Entry at Modern Art Oxford. 

Abstract Art at the Mead


A fabulous international abstract exhibition opens at the Mead Gallery in the New Year. Forty-nine artists covering the last 50 years of colour-field abstraction painting including Frank Stella, Andy Warhol, Bridget Riley alongside a new commission by Francis Baudevin the Swiss artist and many more.

A rare opportunity to see many wonderful contemporary and historical figures in this collaboration with Tate St. Ives.

‘The Indiscipline of Painting’ runs from 14 January – 10 March 2012 at Mead Gallery, Warwick Arts Centre, Coventry,CV4 7AL.

Open Mon-Sat 12 noon- 9 pm – Entry is Free.

Saturday, 3 December 2011

About the artists no.4 Emma Carpendale


I graduated from the University of Northampton in 2010 with a first in Illustration. Since then I have been pursuing a career as a freelance illustrator. 

I'm often drawn to themes of the bizarre, the supernatural or themes from historical, theatrical or literary culture and my work is often described as dark and quirky. 

Amy and the Origami Man - Children's Book 2010




Children’s book illustration has been a constant interest of mine due to the enormous challenge it poses, but my interests within illustration varies from book illustration to editorial to more abstract themes. I’m generally drawn to illustrating narrative or any subject matter that has a good story behind it.

The Panto Horsemen. 2011


For the first Edge Arts group show I created a new piece called Symbolic Portrait of August Strindberg. This is the first in a series of studies of the Swedish author and playwright. What I found out from reading Strindberg’s diaries was that his life appeared just as dramatic as his plays, but it seemed that he would often dramatise events to make him appear more interesting to the reader. 

Symbolic Portrait of August Strindberg. 2011








































What was true about him is that he was a polymath and experimenter whose interests ranged from photography and painting to literature and science. During the later part of his life he dabbled in occultism and alchemy and spent an intense period on this subject. Accounts of Strindberg and the subject matter of his own paintings portray a man in conflict with the world and also himself. My aim with these portraits is to untangle this character and separate the myth from reality.

My work always starts with a drawing and then I digitally add texture, loose pattern and colour. I create background texture in many ways, either by using vintage paper, photography or textiles, or by creating large sheets of mark making, random drawing, painting or collage. 

The Strindberg portrait is available for sale as a framed single edition print. Contact me at contact@edgearts.co.uk for more details. Some smaller prints and handmade items can be purchased online at Etsy

Follow me on linkedIn, Twitter, Facebook and Behance

All images © Emma Carpendale 2011


Friday, 11 November 2011

'Look deep into nature and you will understand everything better'  Albert Einstein.

Launch Night!

Thanks you to everyone who came and supported Edge Arts first show! We had a great evening and received some great comments on the show and our work. 


Special thanks to Jason Moss from Rugby FM for opening the show and to the very talented Becs who provided some lovely music for our guests.


If you'd like to be kept informed of future exhibitions and event please contact us to go on our mailing list. 


We are hoping to do some collaborations with other artists for future shows so if you are an artist (any discipline or media) please get in touch with some images of your work and a statement about you and we'll be in touch. 


We now planning for our next show which we''re hoping to bigger and even better than our Verve show. Follow us on Twitter and Facebook for updates.


Take a look at some photos from the night!



Jason Moss cutting the ribbon

Opening Speech

The very talented Donna Thacker



Before the show






















About the artists No.3 - Hazel Walker


After graduating in 2010 from the University of Northampton with a First Honorary Degree in Photographic Practice, I remain focused on making work evolving from my final year exhibition ‘Hinterland’; developing into a lifelong assignment.

The human species identifies natural forms by using constituents of the sensory system like touch and smell, more importantly sight to distinguish diverse botanical species.  Light is fundamental to the process of seeing, survival of all life forms, and Photography within the field of Art.  Scientific processes engage artificial light primarily in microscopy. The exhibited work was made by means of unconventional optics either connected to the camera body or a separate apparatus.




Layers of visual and sensory possibility embrace the natural environment, where the ‘visible’ touches on the ‘invisible’, offering a glimpse of the inner beauty of natural phenomena.

Photosynthesis is reliant on light in plants.  A leaf cell houses many components with the Chloroplast key in driving the process; daylight is absorbed by the pigment Chlorophyll in Thylakoid disks located within the Chloroplast.  The exhibition was designed representing in part the Chloroplast internal structure.

Pinhole imagery of trees signified rural space while their stance influences the ‘tree of life’.  Hence, the pertinence for pinhole subject matter to be trees presented as light ‘specimens’ depicting ‘absorption of light’ in its purest form.  This idea has its influences in the work of William Henry Fox Talbot, Scientist, (1800-1877), who came to realize how sunlight reacts with sensitized paper ascertaining the ‘negative’.

Natural wonder is encased not only in what the eye interprets, but its ability to transport one deeper ‘into’ the space, creating layers.  Initial images disclose radiance of colour, communicating a magical aura of rural space and the visible light spectrum.




Life cycle is demonstrated by the juxtaposition of triptychs: ‘forming’ of new growth, adulthood and ‘reproduction’, also living organisms having interior and exterior structures only to ‘decay’ over time while new life is born.  A further layer has been achieved by means of scientific approach encountering surface textures, whilst the traditional microscope enables the inner beauty of the natural environment to be revealed interlocking ‘art’ and ‘science’ by way of abstract visuals.

Hazel Walker BA (HONS), ARPS

Look out for further editions in 2012!

© Hazel Walker BA Hons, ARPS: copying prohibited ALL texts and images

Wednesday, 9 November 2011

It's launch day!!

The day has finally arrived and we're almost set for our first show. It's shaping up to be a great event with special guests and live music. We look forward to seeing all our invited guests later on this eve. If you can't make it don't forget the show runs until 3rd December, Wednesday - Sunday, 4pm until late.

We'll be posting photos from the night and showing off all the work that's being exhibited so be sure to come back and check those out. We'll also be tweeting throughout the night so be sure to follow us @Edge_Arts

Monday, 24 October 2011

About the artists No.2 - Donna Thacker


DONNA THACKER

I graduated from Northampton University in 2010 with a degree in Fine Art. This course gave me the opportunity to develop skills in disciplines such as Printmaking, Photography, Sculpture and Painting. Prior to this, I spent four years studying Art and Design at Rugby College by completing two separate courses. During my time there, I was given the time and opportunity to experiment with different Medias and apply them in new ways.

As for my current practice, I am interested in both figurative compositions and the notion of ‘non-places’ and ‘non-spaces’. With these inspirations in mind, I concentrate my work around photography as a starting point, and develop my ideas through either abstraction or representation, both expressing my work through paint.

There are many artists who inspire my practice, but I feel I turn to the works created by Hughie O’Donoghue and Gerhard Richer the most. I will often refer to the works of these artists when I am constructing a painting, to gain knowledge on either depth of colour or information on compositions.

The colours of paint and the technique with which it is applied, are vitally important to my work therefore, if I want to handle a piece with more sensitivity, I use paintbrushes and turps, but if I feel it needs to be a little edgier, I will use a palette knife and spectragel to thicken my paint further and allow me to apply it more energetically. To be considered close to completion, I must be confident that the work is both communicative and atmospheric, although, with each and every work I have done to date, I always feel that there is ‘something else’ that could be done to it. This gives me comfort that I am still developing my skills and I still have more to learn about my abilities and, in turn, more to give to my work.

I am currently a member in two different artists groups, which is makes me increasingly focused on my own practice. I am also responsible for my own family, whilst working full-time at a local school. I love my busy lifestyle, and in turn I gain strength and have the opportunities to motivate myself and others whilst staying grounded, but continually inspired.

About the artists - No.1 - Coreen Harris


Here is an artists statement from one of our artists Coreen about her inspiration, working practice and methods


COREEN HARRIS

I am a combined artist, freelance writer and poet, who uses mixed media, abstract painting, mini installations and manipulated digital photography within my fine art practice. I enjoy working at full speed and am happiest when producing various creative writing projects, painting on canvas and working on my mini installations simultaneously.  My work takes centre stage, as if it were a canvas from Jackson Pollock’s studio.

My mini installations were recently shown at a London exhibition and were included in my graduate show at University. As a story teller I use the paradox as my key to conjure up ordinary characters, creating dramatic assemblages using found objects, exploring these characterizations and fragments of the identity which are revealed to the audience. These artworks are a cross between Cornell-like drawers and Mark Dion’s fabulous curiosity cabinets.



Working on various abstract paintings I am driven and inspired by the work of Jean Dubuffet and Cy Twombly who both used a sophisticated and very complex method of theory through painting, to translate their hypotheses into mark making. Within my own abstract painting practice I hope to discover some of these methods, using the narrative to produce biomorphic images interacting with the viewer to evoke emotion.

Thursday, 20 October 2011

Want to know a bit more about us? Take a look at our press release



Press Release
Contemporary Art Group Launch in Rugby

A group of artists who graduated from University of Northampton, have just launched a new Midlands based art group and they will be having their first exhibition this November in Rugby.

Edge Arts Collective is an exciting new project to showcase cutting-edge art nationally.

The Edge members include Emma Carpendale, Ann Crearie, Leanne Gilroy, Coreen Harris, Donna Thacker, Kate Thomas, Jill Wales and Hazel Walker.  Some of the artists live locally in Rugby while the others live within a 30 mile radius of the town.

They all share a passion for art and their debut art exhibition has already been organised.  It will run from Thursday 10th November until Saturday 3rd December 2011, opening times 4pm until late, in the newly refurbished art gallery above Verve Bar, 35 North Street, Rugby CV21 2AL. 

Expect to see a wide variety of contemporary art from the members of Edge Arts Collective, including paintings, illustrations, fine art, sculpture, photography and installations.  The exhibition is FREE to the public and many of the pieces will be available for sale.

Monday, 17 October 2011

Hello and welcome

Hi there and welcome to the Edge Arts Collective blog.

Edge Arts is made up of eight artists and illustrators. We all graduated from The University of Northampton in 2010 and our disciplines range from photography to printmaking to illustration and painting.

We are holding our first exhibition at Verve Gallery and Bar, Rugby from the 10th November - 3rd December and you are all welcome. More details on the exhibition as well as details of each group member will be posted shortly.